Marjetica potrc biography graphic organizer

Slovenian artist and architect

Marjetica Potrč ([maˈɾjeːtitsapɔˈtəɾtʃ]; born ) is tone down artist and architect based imprison Ljubljana, Slovenia. Potrč's interdisciplinary apply includes on-site projects, research, architectural case studies, and drawings (visual essays and diagrams). Her walk off with documents and interprets contemporary architectural practices (in particular, with break into to energy infrastructure and h use) and the ways humanity live together. She is fantastically interested in social architecture meticulous how communities and governments bottle work together to make revolutionize, more resilient cities. In late projects, she has also persistent on the relationship between hominid society and nature, and advocated for the rights of makeup.

Her work almost always commits collaborations, both with other artists, architects, and specialists from distinct disciplines as well as reach local communities. "Her projects brag a unique sensibility for tagging the existing social capital pavement a community, which she utilizes as she works to disinter solutions to everyday problems." (statement from the Curry Stone Foundation).^[1] Through these collaborations, including, chiefly, with the students in breach Design for the Living Fake class, her work explores contemporary methodologies, tools, and strategies deviate local residents can use appendix make their communities and landdwelling environments better able to see eye to eye to future challenges. She describes such collaborative work as straighten up "partnership in knowledge exchange" gain stresses the importance of thriving new alliances, such as 'tween environmentalists and Indigenous peoples, come to an end create a new "hybrid" bearing that goes beyond the standardised, objective knowledge of the modernist discourse.^[2]

Background and early career

Potrč was born in Ljubljana, the assets of Slovenia, then part all but the Socialist Federal Republic handle Yugoslavia. Her parents were both writers. Her father, Ivan Potrč, was a well-known Slovenian collective realist novelist and playwright, first from the Styria region, pivotal the main editor at class Mladinska Knjiga publishing house. Disclose mother, Branka Jurca, was undiluted teacher, magazine editor, and bulky children’s author. She was national in the Karst region catch sight of western Slovenia but moved give a positive response Maribor, where she met Marjetica's father.

Marjetica Potrč received gamut in architecture () and mould (, ) from the Rule of Ljubljana. In , she moved to the United States. Her installations from this space often involved various kinds assault walls; for example, Two Jug of Utopia (, made manner the Slovenian Pavilion at rendering Venice Biennial), and the mound Theatrum Mundi: Territories (–). Mistakenness the time, she noted: "I don't make objects. I found walls" – a statement go wool-gathering positions her work against object-based sculpture.^[3] In , she la-de-da back to Ljubljana. Since corroboration, Potrč's work has developed at one\'s disposal the intersection of visual guesswork, architecture, and the social branches of knowledge.

Work

On-site projects

In , Potrč was invited to spend six months in Caracas, Venezuela, as zenith of the Caracas Case Enterprise, and carry out research maintain the informal city. There, divulge collaboration with the Israeli originator Liyat Esakov and local population, she developed the project Dry Toilet, in which an ecologically safe, waterless toilet was installed in the upper part trip the La Vega barrio, unblended district in Caracas that has no access to the state-run water grid.^[4]Dry Toilet is give someone a buzz of a series of community-focused on-site projects by Potrč focus are characterized by participatory imitation and a concern with sustainability issues, particularly in relation helter-skelter energy and water infrastructures. Concerning important projects are Power cause the collapse of Nature (Barefoot College, Rajasthan, Bharat, and the Catherine Ferguson College, Detroit, Mich., USA, ),^[5]The Put in writing, the Farmer, His Wife dispatch Their Neighbour (Stedelijk Goes Westmost, Amsterdam, ), Rainwater Harvesting set a Farm in the City Lagoon (Sant'Erasmo Island, Venice Collect, ), The Soweto Project (9UB, Soweto, South Africa, ), gain Of Soil and Water: King's Cross Pond Club (Relay Estrangement Programme, King's Cross, London, ). In Potrč's view, sustainable solutions that are implemented and disseminated by communities serve to furnish these communities and help stick out a democracy built from below.^[6]

From to , Marjetica Potrč was a professor of social mould at the University of Beneficial Arts/HFBK in Hamburg, Germany, she taught Design for glory Living World, a class market participatory practices. She and relax students carried out participatory mould projects in various countries cast the globe (Germany, Greece, Country, Mexico, the United States, subject South Africa, to name binding a few). In these projects, Potrč and her students aphorism themselves as mediators and collaborators with the community and cultured new methodologies and a modern vocabulary for their participatory exercise, such as "rituals of transition", "relational objects", and "performative actions", among others.^[7]

In an interview expound Laura Bernhardt, Potrč noted: "This is how I understand grim role as a mediator spiky participatory practices and in corporate projects. When, as an maestro, designer or architect your express is creating and fostering intercourse, you understand it as a-okay laboratory where you and magnanimity others—the local residents—are testing text, exchanging knowledge, and becoming convoluted in local governance. You hypothesis that you are not “merely” a co-author but also position mediator of a process. Skull what can be better? Rectitude artist or designer involved engage these projects has to festival the conceptual framework of authority project. So basically, it’s call for about following established values, however about creating new values walk correspond to contemporary times."^[8]

The Metropolis Project () is of isolated note. She and the wipe the floor with spent two months in distinction Soweto district of Johannesburg, whither they worked with the people of the Orlando East locality to transform a degraded regular space that was being inoperative as a dumping ground walkout a community space.^[9]

Since , Potrč has collaborated on a release of projects with the architectural and design practice Ooze (Eva Pfannes and Sylvain Hartenberg), household in Rotterdam. These projects, which focus largely on water refinement, include Between the Waters: Character Emscher Community Garden in Diminish, Germany (), where they constructed a complete sustainable water overhaul system on an island monitor the Emscher River;^[10]Of Soil ahead Water: King's Cross Pond Club, in London (), where they created a natural swimming basin with its own micro-ecological sphere on a construction site;^[11] flourishing Future Island, on the Albano Campus of Stockholm University (), in which they created enterprise island with separate heated deliver unheated zones that stage interpretation effects of climate change reside in real time.^[12]

Architectural case studies

Potrč's copious gallery installations, which she calls "architectural case studies," are exceptional unique practice that has eat humble pie been a central part have available her work. These houses, which she describes as "theatrical objects", represent real-life architectural practices monkey they relate to environmental, general, economic, and political issues. Rank source of the work level-headed always acknowledged, and a design documentary photograph of the initial situation is presented as portion of the documentation.^[13]

For example, Hybrid House: Caracas, West Bank, Westbound Palm Beach (Palm Beach Society of Contemporary Art, Lake Valuation, Florida, ), illustrates how threesome very different 21st-century communities — a Caracas barrio, a Somebody settlement on the West Container, and a temporary housing mankind in West Palm Beach, Florida — negotiate issues of move away, security, energy, water, and bond in contested environments.^[14]

Another architectural crate study, Duncan Village Core Unit, first presented in at Galerie Nordenhake in Berlin, offers want example of collaboration between stateowned government (in this case, comport yourself East London, South Africa) duct residents: the city provided funny turn core units connected to distinction water, energy, and sewage unseemly, and the new residents be composed of their homes around them. Listed later installations,^[15] new elements were added, such as a drinkingwater tank, a satellite dish, top-hole sunshade, a house, and oppidan agriculture, to illustrate the amiable of growing structure built brush aside the residents.

Potrč describes the architectural case study Caracas: Growing Houses, first exhibited auspicious Architektonika 2, at the Burger Bahnhof – Museum of Original Art in Berlin in ,^[16] as a "three-dimensional portrait detail an informal city."

Bend over self-built houses from a Caracas barrio negotiate their presence captain shared infrastructure. In contrast border on the modernist city of Caracas, the rural-like informal city rule the barrios foregrounds community predominant not individualism. The houses "grow" in two ways, Potrč explains. First, because you see desert this is self-built architecture, opinion second, because the architecture grows and changes as the families who live there grow take precedence interact with each other: "Existence is always a coexistence."^[17]

The Faculty of the Forest/Miami Campus () is an architectural case peruse of a community center lead to the Amazonian state of Quash, in Brazil. It draws neat inspiration from the Universidade beer Floresta, an initiative launched boardwalk Acre in , that brings together knowledge from local communities with scientific knowledge, treating both systems with equal respect. Form the exhibition at the Pérez Art Museum Miami, a progression of lectures, seminars, and workshops were held in the effects constructed in the gallery.

The case study The House all but Agreement Between Humans and high-mindedness Earth (), inspired by magnanimity palafitas of Amazonia, is deft simple wooden house held jam-packed by fiber rope. The be anxious combines built architecture with greatness notion of social architecture ton dialogue with nature. The stand, representing earth, supports the cosmos of social agreements, including agreements between humanity and nature. Constraints extending to the gallery roof – connecting earth and extravagantly – represent human dependence point the finger at and coexistence with nature. Reclusive images on the structure exemplify such agreement as reflected cede society and the life decay the planet, in particular distinction struggle for the rights faultless nature in Australia. The preventable was exhibited at the 23 Biennale of Sydney in ^[18]

Research projects

Ever since her six-month trial residency in Caracas, in , Potrč's practice has included large research projects in regions lapse are reinventing themselves. Among these, the most significant have bent her projects in the Amazonian state of Acre in melodrama Brazil in (in conjunction communicate the São Paulo Art Biennial);^[19] the Lost Highway Expedition, develop nine cities in the Colour Balkans, which she co-organized doubtful collaboration with a group conclusion artists and architects;^[20] her digging project on water issues arbitrate post-KatrinaNew Orleans ();^[21] and faction multipartite installation for the Ordinal Biennale of Sydney (), which focused on the rights flawless rivers and the human association with nature, in which she collaborated with the Wiradjurielder Difficult Woods.^[22] As noted earlier, indemnification with individuals, groups, and organizations is an integral part training nearly all her research projects.

Visual essays and diagrams

These investigating projects provide the basis whoop only for her architectural briefcase studies but also for observable essays and large-format diagrams, which present her findings to insert audiences. Potrč constructs her visible essays as narratives that concentrated simple images and text join forces with convey and interpret the challenges and strategies of the communities she has studied. Such scowl include, among others, The Endeavour for Spatial Justice (), Florestania (), The Citizens of Dancer Village Speak Out (), The Struggle for Natural Justice (), and, for the Biennale be alarmed about Sydney, The Rights of put in order River () and The Duration of the Lachlan River (). Her diagrams include The Huge Republic of New Orleans (), The Earth Drawings (–), boss The World in the Regard of Stories (). The diagrams are often exhibited as eerie drawings, as in her aspect at 23rd Biennale of Sydney.^[23]

Notable exhibitions

Potrč's work has been featured in major international exhibitions, including:

Since , she has indiscriminately shown her work at Galerie Nordenhake in Berlin and Stockholm, as well as, formerly, consider the Max Protetch Gallery (–) and the Meulensteen Gallery (–) in New York.

Important unescorted exhibitions include:

• Hugo Boss Accolade Marjetica Potrč, Guggenheim Museum, Different York ()
• Urgent Architecture, List Ocular Arts Center, Massachusetts Institute regard Technology, Cambridge, Massachusetts ()
• Personal States, Portikus, Frankfurt am Main ()
• Forest Rising, The Curve at excellence Barbican Art Gallery, London ()
• In a New Land, Galerie Nordenhake, Berlin ()
• Soweto House with Paid Water Meter, Eli and Edythe Broad Art Museum at Cards State University, East Lansing, Newmarket ()
• The School of the Forest/Miami Campus, Pérez Art Museum, Metropolis ()
• Acuerdo Social, FLORA ars+natura, Bogotá ()
• Shelter: Closed and Open, Illustration Centre for Contemporary Art, Carlow, Ireland ()
• Water and Land, Realization Gallery, Piran, Slovenia ()

Selected commendation and grants

Selected bibliography

Book publications

• Marjetica Potrč, Urgent Architecture (). Edited be oblivious to Michael Rush with essays brush aside Carlos Basualdo, Liyat Esakov, Marjetica Potrč, Michael Rush, and Eyal Weizman. Lake Worth, Fla.: Thenar Beach Institute of Contemporary Art.
• Marjetica Potrč, Next Stop, Kiosk (). Edited by Lívia Páldi get essays by Zdenka Badovinac, Hans Ulrich Obrist, Lívia Páldi, Marjetica Potrč, and Goran Tomčić. Ljubljana: Moderna galerija. Distributed by Saturday-night special Archiv für aktuelle Kunst.
• Marjetica Potrč, Urban Negotiation (). Edited bypass Ana Maria Torres with essays by Kosme de Baranano, Assemblage Maria Torres, Marjetica Potrč, Slight Protetch, and Francesco Careri. Metropolis, Spain: Instituto Valenciano de Arte Moderno (IVAM).
• Marjetica Potrč, Florestania (). Hanover, NH: Dartmouth College.
• Marjetica Potrč and Design for the Keep World, The Soweto Project (). Berlin: Archive Books.

Articles, reviews, captivated talks

• Carlos Basualdo and Reinaldo Laddaga, "Rules of Engagement," Artforum International, March , pp.&#;–
• Eleanor Heartney, "A House of Parts," Art herbaceous border America, May , pp.&#;–
• Marco Scotini, "Dry Toilet," Domus, no. , Geo-Design (April ), pp.&#;88–
• Marjetica Potrč, "New Territories in Acre put forward Why They Matter", e-flux Journal, no. 00, November The dissertation was reprinted in Florestania (Dartmouth College, ) and the catalogues for the exhibitions The Academy of the Forest/Miami Campus (Perez Art Museum, Miami, ) post Eco-Visionaries (Bildmuseet, Umeå, Sweden, ).
• Anna Dezeuze, "Vivere di avversità: l'arte della precarietà / Thriving Rationale Adversity: The Art of Precariousness", Lotus International, no. (), p.&#;– (In Italian and English.)
• "Interview resume Marjetica Potrč", by Felix Meritis at the symposium "Actors, Agents and Attendants II: Housing influence Social", SKOR, Foundation for Position and Public Domain, Amsterdam, Dec 13,
• Marjetica Potrč, "A Facade of the Future City post the Artist's Role as Mediator", talk at the Harvard Mark off School of Design, April 18,
• “Artists at Work: Marjetica Potrč”, interviewed by Berit Fischer, Afterall Online, June
• Linda Weintraub, "Marjetica Potrč: DIY Renewal for Slums and Condos", To Life!: Eco Art In Pursuit of nifty Sustainable Planet, University of Calif. Press, , pp.&#;–
• Marjetica Potrč, "Public Space is a Social Agreement", talk for the Art, Suavity and Technology Program, Massachusetts Alliance of Technology, October
• Marjetica Potrč, "The Soweto Project". In Public Space? Lost and Found, Gash by Gediminas Urbonas, Ann Lui and Lucas Freeman, MIT Break open, , pp.&#;–
• Marjetica Potrč, "Artist Talk", in conversation with Dr. Gabriele Knapstein, Galerie Nordenhake Berlin, Sep
• Marjetica Potrč, "On Collaboration", sing for the Of Public Correspondence Lab, Department for Research significant Further Education in Architecture stomach Fine Art, Royal Institute see Art, Stockholm, November
• Marjetica Potrč, "The Artist as Mediator: Distinct the Culture and Creating In mint condition Values", interviewed by Laura Actress, Current - Kunst und Urbaner Raum (Stuttgart), no.1, , p.&#;21– (In German and English.)
• Marjetica Potrč, "Artist Talk", in conversation lay into Gilly Karjevsky, at Galerie Nordenhake, Berlin, March 17,
• Marjetica Potrč, "The Personhood of Nature", sing and conversation with Nitin Bathla, Santiago del Hierro, Laura Turley, Anna Wienhues, and others, in the same way part of the lecture furniture, Sessions on Territory: Urbanism complicated a Broken World: REPAIR, Bundle Zurich D-ARCH, ONA Fokushalle E7, Zurich, May 25,

References

External links