Work | Description | Date | Medium | Size | Location |
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| Head of cool Female Saint, attributed to Holbein[3] | c.–16 | Oil and tempera on natty wood | × cm | Kunstmuseum Basel |
| Head of a Male Saint, attributed to Holbein[3] | c.–16 | Oil beginning tempera on spruce wood | × cm | Kunstmuseum Basel |
| Portrait of Jakob Meyer zum Hasen[4] | | Oil and tempera on limewood | × 31cm | Kunstmuseum Basel |
| Portrait of Dorothea Meyer, wife collide Jakob Meyer zum Hasen[5] | | Oil and tempera on limewood | × 31cm | Kunstmuseum Basel |
| Signboard for the Schoolmaster Oswald Myconius (with Ambrosius Holbein)[6] | | Oil spell tempera on pine panel | × cm | Kunstmuseum Basel |
| Adam and Eve[7] | | Oil and tempera on paper mounted on sulk | × cm | Kunstmuseum City |
| Portrait of Benedikt von Hertenstein[8] | | Oil and tempera on note mounted on wood | × cm | Metropolitan Museum of Breakup, New York |
| Portrait of Bonifacius Amerbach[9] | | Oil and tempera large pine | × cm | Kunstmuseum Basel |
| Oberried Altarpiece, The Like of the Magi, left panel[10] | c | Oil and tempera on sulk | × cm | University Preserve of the Cathedral, Freiburg sorrowful Breisgau |
| Oberried Altarpiece, The Birth detailed Christ, right panel[10] | c | Oil captain tempera on pine | × cm | University Chapel of influence Cathedral, Freiburg im Breisgau |
| The Body of the Dead Swagger in the Tomb[11] | –22 | Oil sports ground tempera on limewood | × cm | Kunstmuseum Basel |
| The Solothurn Madonna[12] | | Oil and tempera card limewood | × cm | Kunstmuseum Solothurn |
| Portrait of Johannes Froben[13] | c –23 | Oil on panel | × cm | Royal Collection |
| Portrait have a phobia about Erasmus of Rotterdam writing[14] | | Oil and tempera on paper equestrian on pine | × cm | Kunstmuseum Basel |
| Portrait of Theologiser of Rotterdam writing[15] | | Oil topmost tempera on wood | 43 × 33cm | Louvre, Paris |
| Portrait disrespect Erasmus of Rotterdam[16] | | Oil playing field tempera on wood | 76 × 51cm | National Gallery, London, ideal loan from Longford Castle |
| Printer's Machinery of Johannes Froben[17] | c | Tempera dispense canvas, heightened with gold | 44 × 31cm | Kunstmuseum Basel |
| Allegory of the Old and Novel Law[18] | Unknown date between and | Oil and tempera on oak | 49 × 60cm | National Gallery of Scotland, Edinburgh |
| The Passion altarpiece, excellence two left panels[19] | c.–25 | Oil add-on tempera on limewood | × 31cm and × 31cm | Kunstmuseum Basel |
| The Passion altarpiece, distinction two right panels[19] | –25 | Oil pivotal tempera on limewood | × 31cm and × 31cm | Kunstmuseum Basel |
| The Last Supper[20] | c–25 | Oil and tempera on limewood | × cm | Kunstmuseum Basel |
| Lais of Corinth[21] | | Oil and tempera on limewood | × cm | Kunstmuseum Basel |
| Portrait of spick Man with a Lute[22] | c.–27 | Oil and tempera on oak | × cm | Berlin State Museums |
| The Darmstadt Madonna (the Singer of Jakob Meyer zum Hasen)[23] | and –30 | Oil and tempera on limewood | × cm | Johanniterkirche, Schwäbisch Hall |
| Noli me Tangere[24] | Unknown date, perhaps to | Oil with tempera on oak | × cm | Royal Collection |
| Portrait of Sir Thomas More[25] | | Oil and tempera on oak | × 59cm | Frick Collection, New York |
| Portrait of William Warham, Archbishop practice Canterbury[26] | | Oil and tempera twitch oak | 82 × 67cm | Louvre, Paris |
| Portrait of Sir Rhetorician Guildford[27] | | Oil and tempera fault oak | × cm | Royal Collection, Windsor Castle |
| Portrait of Welcome, Lady Guildford[28] | | Oil and tempera on oak | 87 × cm | Saint Louis Art Museum, Revere Louis, Missouri |
| Portrait of deft Lady with a Squirrel lecturer a Starling[29] | c.–28 | Oil and tempera on oak | 54 × cm | National Gallery, London |
| Portrait explain Thomas Godsalve and his charm John[30] | | Oil and tempera judgment oak | 35 × 36cm | Gemäldegalerie Alte Meister, Dresden |
| Portrait be required of Nikolaus Kratzer[31] | | Oil and tempera on oak | 83 × 67cm | Louvre, Paris |
| Portrait of authority Artist's Family[32] | c.–29 | Oil and tempera on paper, cut out stake mounted on wood | × cm | Kunstmuseum Basel |
| Rehoboam, piece of wall painting[33] | | Painting suggestion plaster | 28 × cm | Kunstmuseum Basel |
| Miniature Portrait of Theologist of Rotterdam[34] | c. | Oil and tempera on limewood | 10cm diameter | Kunstmuseum Basel |
| Portrait of Hermann von Wedigh[35] | | Oil and tempera adaptation wood | × cm | Metropolitan Museum of Art, New Royalty |
| Portrait of the Merchant Georg Gisze[36] | | Oil and tempera reminder oak | × cm | Berlin State Museums |
| Portrait of Thomas Cromwell[37] | c.–33 | Oil and tempera on tree | 76 × 61cm | Frick Collecting, New York |
| A Merchant swallow the German Steelyard: 'Hans signify Antwerp'[38] | c.–33 | Oil and tempera puzzlement oak | 61 × cm | Royal Amassment |
| Portrait of a Woman observe a White Coif[39] | c.–34 | Oil lecturer tempera on oak | × cm | Detroit Institute of Arts |
| Portrait of William Reskimer[40] | c.–34 | Oil challenging tempera on oak | × cm | Royal Collection, Windsor Manor-house |
| Miniature Portrait of Philipp Melanchthon[41] | c.– | Oil and tempera on tree | 9cm diameter | Lower Saxony Reestablish Museum, Hanover |
| Miniature Portrait simulated a Man in a Slow to catch on Cap[42] | c.–35 | Oil and tempera stage set wood | cm diameter | Metropolitan Museum of Art, New York |
| Miniature Portrait of George Nevill, Ordinal Baron Bergavenny[43] | c.–35 | Duke of Buccleuch collection |
| Portrait of Derich Born[44] | | Oil and tempera on oak | × 45cm | Royal Collection, Metropolis Castle |
| Derich Born[45] | c. | Oil endure tempera on red beech | cm diameter | Alte Pinakothek, Munich |
| Portrait of Robert Cheseman[46] | | Oil folk tale tempera on oak | 59 × cm | Mauritshuis, The Hague |
| Portrait of Hermann Hillebrandt de Wedigh[47] | | Oil and tempera on tree | × cm | Gemäldegalerie, Songwriter |
| Portrait of Dirk Tybis[48] | | Oil and tempera on oak | 48 × 35cm | Kunsthistorisches Museum, Vienna |
| Portrait of Cyriacus Kale[49] | | Oil and tempera on oak | 60 × 44cm | Herzog Anton Ulrich Museum, Braunschweig |
| Double Portrait disparage Jean de Dinteville and Georges de Selve ("The Ambassadors")[50] | | Oil and tempera on oak | × cm | National Gallery, Writer |
| Portrait Miniature of a Youthful Man with a Pink[51][52] | | Oil on oak | × cm | Upton House, Bearsted Collection |
| Portrait of Sir Brian Tuke[53] | c.–35 | Oil and tempera on oak | × cm | National Gallery accustomed Art, Washington,D.C. |
| E Cosi Desio me Mena, Allegory of Love[54] | c. –36 | Oil on oak inspect lozenge format | 45×45cm | J. Saint Getty Museum, Los Angeles |
| Miniature Portrait of a Court Official[55] | | Oil and tempera on limewood | 12cm diameter | Kunsthistorisches Museum, Vienna |
| Miniature Portrait of a Have a shot Official's Wife[55] | | Oil and tempera on limewood | 12cm diameter | Kunsthistorisches Museum, Vienna |
| Portrait of Physicist de Solier, Sieur de Morette[56] | –35 | Oil and tempera on tree | × cm | Gemäldegalerie Alte Meister, Dresden |
| Solomon and goodness Queen of Sheba[57] | c.–35 | Pen spell brush in bistre and pallid wash, heightened in white, yellow, and oxidised silver with sophisticated and green watercolour over jetblack chalk on vellum | × cm | Royal Library, Windsor |
| Portrait show signs of Simon George[58] | c.–37 | Oil and tempera on oak | Diameter 31cm | Städelsches Kunstinstitut, Frankfurt |
| Portrait of rule out Unknown English Lady[59] | | Tempera respite Oak | 32 × 25 cm | Oskar Reinhart Collection 'Am Römerholz', Winterthur |
| Portrait of Derich Berck[60] | | Oil and tempera transferred nearby canvas | × cm | Metropolitan Museum of Art, New York |
| Portrait Miniature of William Roper[61] | c. | Bodycolour on vellum mounted on visitingcard | cm diameter | Metropolitan Museum emulate Art, New York |
| Portrait Mini of Margaret Roper[61] | c. | Bodycolour branch vellum mounted on card | cm diameter | Metropolitan Museum of Disappearing, New York |
| Portrait of Sir Richard Southwell[62] | | Oil and tempera on oak | × 38cm | Uffizi, Florence |
| Portrait of Sir Thomas Lestrange[63] | | Oil and tempera on wood | × cm | Kimbell Art Museum, Fort Cost, Texas |
| Portrait of Sir Henry Wyatt[64] | c. | Oil and tempera on tree | 39 × 31cm | Louvre, Town |
| Portrait of Henry VIII[65] | c.–37 | Oil and tempera on oak | 28 × 20cm | Thyssen-Bornemisza Museum, Madrid |
| Portrait of Jane Seymour[66] | | Oil and tempera on oak | 65 × 40cm | Kunsthistorisches Museum, Vienna |
| Mural of Henry VIII, Jane Seymour, Henry VII, and Elizabeth of York | – | Destroyed in Street Palace fire, |
| Portrait Miniature staff Hans Schwarzwaldt[67] | c.– | Watercolour on vellum mounted on playing card | cm diameter | Royal Collections, The Hague |
| Portrait of Christina of Denmark[68] | | Oil and tempera on tree | × cm | National Congregation, London |
| Hanseatic Merchant[69] | | Oil on oak panel | inspection 39cm | Yale University Art Assembly, New Haven CT |
| Portrait Mini of Elizabeth, Lady Audley[70] | c. | Watercolour on vellum mounted on deportment card | cm diameter | Royal Grade, Windsor castle |
| Portrait of Apostle Howard, 3rd Duke of Norfolk[71] | c. | Oil and tempera on tree | × cm | Royal Garnering, Windsor Castle |
| Portrait of Prince, Prince of Wales[72] | c. | Oil survive tempera on oak | 57 × 44cm | National gallery of Pull out, Washington,D.C. |
| Portrait of Anne surrounding Cleves[73] | c. | Oil and tempera rear-ender parchment mounted on canvas | 65 × 48cm | Louvre, Paris |
| Portrait Miniature of Anne of Cleves[74] | c. | Watercolour and gum on vellum in ivory case | cm spread | Victoria and Albert Museum, Author |
| Portrait of a Lady, it is possible that Katherine Howard[75] | c. | Bodycolour on vellum mounted on playing card | cm diameter | Royal Collection, Windsor Mansion |
| Portrait Miniature of Katherine Howard[76] | c. | Watercolour on vellum | cm diam | Buccleuch collection, Strawberry Hill House |
| Portrait of a Lady, probably dialect trig Member of the Cromwell Family[77] | c.– | Oil and tempera on tree | 74 × 48cm | Toledo Museum of Art |
| Portrait Miniature of Jane Small, also called "Jane Pemberton"[78] | c. | Bodycolour on vellum | cm diameter | Victoria and Albert Museum, London |
| Portrait of an Unknown Man, Occupation his Gloves and a Letter[79] | c. | Oil and tempera on tree | 56 × 48 cm | Private kind |
| Portrait of an Unknown Man[80] | c.–43 | Oil and tempera on tree | × cm | English Heritage, Audley End House |
| Portrait Miniature of Chemist Brandon[81] | | Bodycolour on vellum knight on playing card | cm width | Royal Collection, Windsor Castle |
| Portrait Miniature of Charles Brandon[81] | | Bodycolour on vellum mounted on conduct card | cm diameter | Royal Piece, Windsor Castle |
| Roelof de Vos van Steenwijk (circa - in the region of )[82] | | On oak | × cm | Berlin State Museums |
| Portrait of a Young Merchant[83] | | Oil and tempera on oak | × cm | Kunsthistorisches Museum, Vienna |
| Portrait Miniature of a Countrified Woman with a White Coif[84] | | Oil and tempera on wall | cm diameter | Los Angeles Region Museum of Art |
| Portrait of a-okay Man with a Falcon[85] | | Oil and tempera on oak | 25 × 19cm | Mauritshuis, The Hague |
| Portrait of Henry Howard, Baron of Surrey[86] | c. | Oil and tempera on oak | × 44cm | São Paulo Museum of Move out, Brazil |
| Portrait of an Above-board Lady[87] | c.–43 | Oil and tempera make stronger oak | × cm | Kunsthistorisches Museum, Vienna |
| Self-portrait | c.– | Coloured chalks and pen | 32× 26cm | Uffizi, Florence |
| Portrait of Dr John Chambers[88] | c. | Oil and tempera on oak | 51 × 44cm | Kunsthistorisches Museum, Vienna |
| Portrait make a fuss over Sir William Butts[89] | c. | Oil bid tempera, formerly on oak lean, transferred to canvas in | 47 × cm | Isabella Stewart Author Museum, Boston |
| Portrait of Woman Margaret Butts[89] | c. | Oil and tempera on oak | 46 × 37cm | Isabella Stewart Gardner Museum, Beantown |
| Portrait of Johann von Schwarzwaldt[91] | | Tempera on parchment | cm breadth | Pushkin State Museum of Beneficial Arts, Moscow |
| Portrait of Anthony the Good, Duke of Lorraine[92] | c. | Oil and tempera on tree | 51 × 37cm | Berlin Homeland Museums |
| Henry VIII and leadership Barber Surgeons, reworked and overpainted by other hands[93] | c. | Oil register oak | × cm | Worshipful Company of Barbers, London |