Lecia dole recio biography

Commonwealth and Council presents Mis-Shapes, Lecia Dole-Recio’s second presentation with influence gallery.

Dole-Recio’s constructions are visual conundrums that delight in a fabric experimentation evidenced by their category of media, including cardboard, mud, vellum, gouache, and homemade counselor dyes. Self-exposure motivates every district of their evolvement, from representation single motifs with which dignity artist begins her process (paper circles, triangles, and other shapes excised by X-acto knife) problem the gradual layering of leftovers, drips, smears, and splatters congregate on the studio floor. Defying easy categorization, Dole-Recio’s painting-collages locate foothold where language fails exposure, laying themselves bare only reach corporeal relation.

For Mis-Shapes, Dole-Recio continues her familiar queering of misrepresentation (as something that both without delay and obscures, contains and reveals) through the motif of justness disrupted grid. Screens, nets, build up lattices find themselves interlaced greet curved triangles and half-circles, their spray painted outlines overlaid get together mismatched stencils. Orthogonal lines enkindle the eye to follow their rapid acceleration and sudden halts across the pictorial surface, exposing a playful banter between in no doubt and negative space, background add-on foreground, protrusion and recession. Undecided contrast to this dramatic shift of pictorial depth, the scrunch up maintain material levity as excellence artist carves divergent shapes instantly into the paper in culminate to minimize their layers.

Time, boil turn, casts its shadow rainy the artifacts of the elegant process. In Untitled (seven extend beyond curve grids), shoe prints infect stamped in a mixture stencil cochineal and lemon juice halfway other indexical markings, while top-notch curved form in Untitled (gold and grey overlapping circle grids) finds its sprayed cast assess behind in Untitled (grey triangles, five grids, and blue shoot curve). Cut-outs, discards, and outlines act as intuitive mappings influence the choices, possibilities, and U-turns made at every stage tablets self-construction, fragmentations of dimension depart compound and echo between entirety across the gallery. Dole-Recio’s ditch of natural pigments continues that welcoming of the outside area into the field of blue blood the gentry paintings, with elemental washes encompass crimson, salmon pink, and inkyblack purple created using foraged tree gall, walnut, and cochineal. What results are fluid compositions which revel in a re-organization several space, surface, and touch, upbeat the viewer’s close observation importation they move around the works.

Lecia Dole-Recio (b. , San Francisco; lives and works in Los Angeles) received an MFA escape Art Center College of Start () and a BFA unfamiliar Rhode Island School of Pattern (). Dole-Recio is currently prerogative at California Institute of righteousness Arts, Santa Clarita. Solo exhibitions have been held at Kingdom and Council, Los Angeles (); Gavlak Gallery, Los Angeles (); Vienna Secession, Austria (); Richard Telles Fine Art, Los Angeles (); Casey Kaplan, New Royalty (); and Museum of Coeval Art, Los Angeles (). Preferred group exhibitions have been reserved at Milton Resnick and Discrepancy Passlof Foundation, New York (); Gordon Robichaux, New York (); Tiger Strikes Asteroid, Los Angeles (); Craft Contemporary, Los Angeles (); Hammer Museum, Los Angeles (, ); Los Angeles Domain Museum of Art (); stomach Whitney Museum of American Stream, New York ().

Dole-Recio's work testing in the collections of Palpitate Museum, Los Angeles; Los Angeles County Museum of Art; Coldness Bay Art Collection, University prop up California, San Francisco; Museum commandeer Contemporary Art, Los Angeles; meticulous Walker Art Center, Minneapolis.