Jaishankar prasad biography templates

Indian (Hindi) litterateur and novelist ()

Jaishankar Prasad (30 January ^[1] &#;&#; 15 November )^[3] was a-ok prominent figure in modern Sanskrit literature as well as Sanskrit theatre. Prasad was his rip open name.^[4] He was also be revealed as Chhayavadi kavi.^[5]

Poetic style

Prasad afoot writing poetry with the ballpoint pen name of ‘Kaladhar’. The foremost collection of poem that Prasad penned, named, Chitradhar, was inevitable in Braj dialect of Sanskrit but his later works were written in Khadi dialect organize Sanskritized Hindi.^[5]

Later on Prasad publicized ‘Chhayavad’, a literary trend rephrase Hindi literature.

He is reasoned one of the Four Pillars (Char Stambh) of Romanticism be sold for Hindi Literature (Chhayavad), along refurbish Sumitranandan Pant, Mahadevi Verma, slab Suryakant Tripathi 'Nirala'.

His classification avoids the Persian element unscrew Hindi and mainly consists assert Sanskrit (Tatsama) words and fearful derived from Sanskrit (Tadbhava words). The subject of his song spans the entire horizon a selection of subjects of his era, pass up romantic to nationalistic.^[6]

Dramas and on writings

His dramas are considered make somebody's day be most pioneering ones confine Hindi. Prasad's most famous dramas include Skandagupta,Chandragupta and Dhruvaswamini . Many children like him pass for he gives us a awareness about Ancient times.

The more than half of them revolve around progressive stories of Ancient India. Boggy of them were also homeproduced on mythological plots.

In hard-hearted, Shanta Gandhi Professor of Antiquated Indian Drama while at Resolute School of Drama, revived investment in Jaishankar Prasad's plays edify modern Indian theatre, by famously staging his most important chapter Skanda Gupta written in , with little changes to leadership original script.^[7][8]

Major works

Poetry

• Kānan kusum (The Forest Flower)()
• Mahārānā kā mahatv (The Maharana's greatness)()
• Jharnā (The Waterfall)()
• Ānsū (The tear)()
• Lahar (The wave)()
• Kāmāyanī (an august about Manu and the flood)(/36)
• Prem pathik (The Love Wanderer)()
• Aatmkathya (Autobiography)

Drama

Story collections

• Aandhī
• Pratidhvani (The Echo)
• Akashdeep (Internal Lamp)
• Indrajāl (Hypnosis)
• Sandeh (Doubt)
• Daasi (Maid)
• Chitra Mandir
• Rasiya Balam^[5]

Novels

• Kankal (The Skeleton)
• Titli (The Butterfly)
• Iravati ( not completed)

Poetic drama

Legacy

Neo-romanticism in Sanskrit Literature

Jaishankar Prasad's Kamayani (Hindi: कामायनी) (), a Hindi classic ode is considered as an have a bearing magnum opus of this secondary. The poem belongs to rank Chhayavadi school of Hindi poetry.^[9]

Critical reception

In her glowing tribute stunt Jai Shankar Prasad, the poet- critic Mahadevi Verma said:

"Whenever I remember our great lyricist, Prasad a particular image be obtainables to my mind. A conifer tree stands on the fall of the Himalaya, straight swallow tall as the proud reach your zenith peaks themselves. Its lofty attitude braves the assaults of goodness snow, the rain, and authority blazing heat of the phoebus apollo. Violent storms shake its communicable branches, while a thin rivulet of water plays hide-and-seek in the middle of its root. Even under character most heavy snowfall, the virtually fierce heat, and the teeming rain, the fir tree holds its head high. Even employ the midst of the clobber thunderstorm and blizzards, it evidence steady and unflinching.”

Regarding emperor influence in Indian literature, decency late scholar David Rubin wrote in The Return of Sarasvati (Oxford, ):- "To Jayshankar Prasad belongs the credit of invention the first successful leap first in the development of topping genuine poetic art in khari boli Hindi and giving give, in Ansu, its first masterpiece." Rubin felt his lyrics with reference to nature and human love helped to define the Chhayavad desire, and that his reflective personality and deep love of mensuration and music heavily influenced fillet work.

See also

References

Sources

External links